Hyperactivity
It dawned on me a moment ago that the reason I've not posted in awhile is because the thinking I do that leads to wanting to write occurs during horn practice.
What's up with that? For one thing, I am in the habit of allowing my mind to bounce of the walls when I'm meant to be paying attention to what I'm doing. At all other times, my mind is flooded with outside influence, be it music, Harry Potter, the teachers in yoga class, the computer or my cell phone. So being still at all, whether during practice or otherwise, doesn't come easily.
For this reason, it's great for me to continue to practice. It's good for me because it is difficult.
When allowed to flow freely, my mind thinks of the silliest things. For one thing, I find it very easy to wonder why I bother at all, because I never really play in front of anyone anymore. It's not like I'm an active freelancer, or have a group with whom I play regularly. Practicing for its own sake is strangely out of the question. Why is that?
I feel as though if I could learn to value the time I spend just playing, everything would be a whole lot more enjoyable. Among many other mental habits I've adapted during my tenure as a horn player, I have definitely learned that I always need to be practicing FOR something, be it a gig, just a rehearsal, or to receive compliments from whomever hears me. It hasn't entered my consciousness that I really can just play simply because I want to.
I wonder what practicing could be like if I allowed it to be about meditation, and about developing mental focus on the task at hand. If I could add a yogi's focus to practice... if I could let horn be a natural extension of my yoga practice, perhaps it would calm this strange sense of impending doom that I've somehow mixed in there with Kopprasch and cross-finger exercises. Relief from that feeling certainly would be welcome!
It's interesting to note that we can train our synapses to fire in pairs. I think I've trained my horn synapses to fire along with my worry synapses. Undoing that will be the real trick.
What's up with that? For one thing, I am in the habit of allowing my mind to bounce of the walls when I'm meant to be paying attention to what I'm doing. At all other times, my mind is flooded with outside influence, be it music, Harry Potter, the teachers in yoga class, the computer or my cell phone. So being still at all, whether during practice or otherwise, doesn't come easily.
For this reason, it's great for me to continue to practice. It's good for me because it is difficult.
When allowed to flow freely, my mind thinks of the silliest things. For one thing, I find it very easy to wonder why I bother at all, because I never really play in front of anyone anymore. It's not like I'm an active freelancer, or have a group with whom I play regularly. Practicing for its own sake is strangely out of the question. Why is that?
I feel as though if I could learn to value the time I spend just playing, everything would be a whole lot more enjoyable. Among many other mental habits I've adapted during my tenure as a horn player, I have definitely learned that I always need to be practicing FOR something, be it a gig, just a rehearsal, or to receive compliments from whomever hears me. It hasn't entered my consciousness that I really can just play simply because I want to.
I wonder what practicing could be like if I allowed it to be about meditation, and about developing mental focus on the task at hand. If I could add a yogi's focus to practice... if I could let horn be a natural extension of my yoga practice, perhaps it would calm this strange sense of impending doom that I've somehow mixed in there with Kopprasch and cross-finger exercises. Relief from that feeling certainly would be welcome!
It's interesting to note that we can train our synapses to fire in pairs. I think I've trained my horn synapses to fire along with my worry synapses. Undoing that will be the real trick.


