On my recent jaunt to B & N, I picked up two well-designed tomes: Barbara Kingsolver's
Small Wonder and Jonathan Franzen's
How to Be Alone. Reading these books in tandem certainly was an experience; both authors are in possession of very strong opinions on How The World Should Be, and both write about that single subject with great insight and clarity.

Small Wonder is a collection of essays written starting on September 12, 2001, as sort of a cathartic attempt at understanding the unimaginable attack against the US, and the behavior that allowed it to come to pass. Each of the roughly 15 essays focused on current issues that are often left undiscussed. Kingsolver hits home with most of these essays. For me, having just complete the
Omnivore's Dilemma, I particularly enjoyed the essay entitled "Lily's Chickens; " the essay critiques our current industrial food culture, which keeps costs cheap at the expense of the health of our planet. In reading that particular piece, it becomes clear exactly what this method of farming will cost all of the citizens of this world in terms of environmental and physical damage to our earth.
My overall reaction to this collection of essays, to be completely candid, is a deep feeling of guilt. I'm certain that this is not what the author intended, yet I found it really difficult to read about the varying ways that our damage to the earth has caused irreparable losses in many regions, alongside essays about how egocentric and uncaring the US has become, and how much the citizens of our world suffer on our behalf. Just today I read an essay about the prevalence of homeless people in the US - we have the highest percentage of homeless people in the developed world - and how little we as privileged people do about it. Generally speaking, it seems to me that we privileged Americans do little more than go about our money-hungry lives ignoring the big issues: poverty, the growing gap between rich and poor, the environmental costs of our current food system, that the actions of our government have led directly to the oppression of other cultures (especially in the middle East, where women are forced into a submissive role), and how it could be that other people saw fit to fly planes into our gigantic, phallic monuments of consumerism, greed, and capital gain.
Nevertheless, I am glad to see that someone does care about the world's ills. As for me, I hope to hold myself responsible for what I can in this scary world: perhaps I could buy from the farmer's market more often, or maybe strive to own my own bit of land that I can cultivate and upon which I can learn to feed myself. The message of Kingsolver's book is not to strip people of hope, after all. Instead, perhaps we can clearly look these unspeakable issues right in the face and stand for justice.

I would be hard pressed to say that Franzen's essays were a cheerful respite from the evils presented by Kingsolver. Instead, Franzen rails against his own issues with the modern world with more pith and sass than did Kingsolver; it would be tough to argue against anything written in this book, based on the sheer rancor Franzen cultivates through many of these essays. I'm loathe to admit, because I enjoyed reading this book so much, that some of the essays lost a bit of urgency, simply because they were written in the mid-90s. It's hard to care about an ailing postal service before the anthrax disaster befell it, and it's tough to read about New York City pre-9/11. From here, at my age and in this place and time, it's strange to read to an extended op-ed on something that's changed so much.
My favorite essays in this collection focus intently on the relationship between reading and writing. This relationship, which is of utmost importance to many of us readers, certainly can be a perilous one. Franzen asks several times throughout this collection whether the responsibility of the writer is in fact to offer a complex social commentary for lack of a relatable connection to the reader, or if the reader's want of a joyful, simple experience should be met? Of course, I would offer that it is important to speak to the times, and that pandering to the simpletons is never preferable, even in this age of the Michael Crichtons. Middle ground is always best... or is that my diplomatic side talking?
I very much appreciated Franzen's candid accounts of the depression and isolation he felt during the 90's, as he was contemplating his existence as a novelist. His description of the artist's first years out of the safety net of college certainly hit home with me. Continuing the discussion of the role of the serious novelist, Franzen offers an intense critique of the existence of television - yet another theme that pops up often throughout this book. The banality of the human experience in the digital age certainly seems to unnerve Franzen.
As I mentioned before, reading these books in parallel was a great experience. For one thing, these authors differed greatly on the necessity of living in cities - Franzen's all for more novels being set in the thick of the experience of city life, whereas Kingsolver questions the environmental awareness of city dwellers. An easy question to ask, certainly, when Manhattan is the epicenter of life lived in excess.
Both authors shared similar insights on the culture-altering existence of the teevee -- and I'm all for teevee bashing. I hate the thing (but am secretly intrigued by this fall's line-up, but that's an internal conflict for another post). Seems that the coma-inducing technology isn't loathed by yours truly alone. And both offered up opinions on, off all things, sex writing. Interesting to note that Kingsolver mainly provided a blushing account of her experience writing about sex in a novel, an attempt at expressing how universal sexual experiences are. Therefor, why avoid writing about them as the one and only must-avoid subject? Meanwhile, Franzen writes about the sheer mass of books written on the subject of sex - so much so that it is becoming impossible to experience sex as a purely individual experience. After all, it's everywhere, all the time. Even, apparently, in Barbara Kingsolver's novels.
Labels: Books